الفضاء المسرحي... بين التقليد والتجديد

Abstract

As long as the theatrical show represents a visual space formed by audio, visual and dynamic formats, both linguistic and non-linguistic. It includes (6) texts that form the seventh text which is the text of the speech of the theatrical show, in line with the modern vision and the semiological approach.

According to this perspective, the speech of the theatrical show should be examined with an insightful eye that leaves the superficial view of unpremeditated judgments which doesn't see the performance with an eye aesthetically trained because the problem concerned with way according to it the show comes out and then reads. If the reading (dictation) is backward, then no avail is desired from it, and if it is a aware, insightful reading that assimilates the consistency of the discourse of the theatrical show, then undoubtedly it will be of use on the technical, aesthetic and communication levels. And that's because the theatrical show consists of two systems: the visual system that the texts of the show make and the conceptual system of the recipient and his awareness of the structure of the show speech as a perceptual conceptual system. The combination of these two systems establishes the text of the speech of a theatrical show with its artistic, aesthetic, semantic and communicative dimensions.