Collective memory is represented in the drawings of the Baghdad

Abstract

 The research was divided into four chapters. The first included the methodological framework of the research. It included a definition of its problem, importance and need. It aims at: the discovery of the Representations of Collective Memory in the Paintings of the Baghdad Group of Modern Art, and the second is the theoretical framework. The third chapter deals with the research procedures. It consisted of the research Society and its Sample. It was intentionally selected by (15) models representing the paintings of the painters who had the role Irrigation And the researcher in the establishment of the Baghdad Group for modern art. The researcher relied on the analytical descriptive method, and the research tool consisted of the form of content analysis, the validity of the tool, its stability, the statistical means and then the analysis of the sample. In the paintings of the Baghdad Group of Modern Art, as the painter has shown it through the form and content. However, the content was the most prominent and this is due to the fact that the painter is part of that latent pattern, which led to highlighting the identity of the society by working to reshape the frame of reference for the Iraqi cultural identity , Chapter four of the conclusions came, including: collective memory managed in Baghdad, a group fee of modern art painting features and install Iraqi art authentic identity, as Comprised chapter on the Recommendations and Proposals, Sources and Supplements.                                                          

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